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About
I am a NYC-based set and costume designer interested in adventurous work that illuminates new perspectives on iconic pieces, imaginative work that is inherently theatrical, and by plays that seem “unproduceable” because they embrace the impossible.

Finding creative solutions to “impossible” moments is part of the magic of design that excites me. With every production, I invent storytelling solutions that create context, establish focus, and activate the audience's imagination.

Recently recognized with the 2021 USITT Scene Design Award and as a World Stage Design 2022 shortlisted exhibitor, Christian’s work spans musicals, plays, devised immersive productions, dance, and opera.

Recent credits include: Spamalot (Arizona Broadway Theater), Into the Woods (Lincoln Park PAC), The SpongeBob Musical (Titusville Playhouse), Othello (Nebraska Shakespeare), Chasing Andy Warhol (Bated Breath), Spelling Bee (EPIC Players), Afterwards (Pittsburgh Opera), Rusalka (Pittsburgh Festival Opera), Game On (Pittsburgh CLO).

Up next: Priscilla Queen of the Desert (Titusville Playhouse). MFA Carnegie Mellon.
Philosophy
I am a NYC-based set and costume designer interested in adventurous work that illuminates new perspectives on iconic pieces, imaginative work that is inherently theatrical, and by plays that seem “unproduceable” because they embrace the impossible.

Finding creative solutions to “impossible” moments is part of the magic of design that excites me. With every production, I invent storytelling solutions that create context, establish focus, and activate the audience's imagination.

Recently recognized with the 2021 USITT Scene Design Award and as a World Stage Design 2022 shortlisted exhibitor, Christian’s work spans musicals, plays, devised immersive productions, dance, and opera.

Recent credits include: Spamalot (Arizona Broadway Theater), Into the Woods (Lincoln Park PAC), The SpongeBob Musical (Titusville Playhouse), Othello (Nebraska Shakespeare), Chasing Andy Warhol (Bated Breath), Spelling Bee (EPIC Players), Afterwards (Pittsburgh Opera), Rusalka (Pittsburgh Festival Opera), Game On (Pittsburgh CLO).

Up next: Priscilla Queen of the Desert (Titusville Playhouse). MFA Carnegie Mellon.
Press
I am a NYC-based set and costume designer interested in adventurous work that illuminates new perspectives on iconic pieces, imaginative work that is inherently theatrical, and by plays that seem “unproduceable” because they embrace the impossible.

Finding creative solutions to “impossible” moments is part of the magic of design that excites me. With every production, I invent storytelling solutions that create context, establish focus, and activate the audience's imagination.

Recently recognized with the 2021 USITT Scene Design Award and as a World Stage Design 2022 shortlisted exhibitor, Christian’s work spans musicals, plays, devised immersive productions, dance, and opera.

Recent credits include: Spamalot (Arizona Broadway Theater), Into the Woods (Lincoln Park PAC), The SpongeBob Musical (Titusville Playhouse), Othello (Nebraska Shakespeare), Chasing Andy Warhol (Bated Breath), Spelling Bee (EPIC Players), Afterwards (Pittsburgh Opera), Rusalka (Pittsburgh Festival Opera), Game On (Pittsburgh CLO).

Up next: Priscilla Queen of the Desert (Titusville Playhouse). MFA Carnegie Mellon.
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